Gino Severini was born in Cortona, Italy. He studied at the Scuola Tecnica in Cortona before moving to Rome in 1899. There he attended art classes at the Villa Medici and by 1901 met Umberto Boccioni, who had also recently arrived in Rome and later would be one of the theoreticians of Futurism. Together, Severini and Boccioni visited the studio of Giacomo Balla, After settling in Paris in November 1906, Severini studied Impressionist painting. He soon came to know most of the Parisian avant-garde, including Georges Braque, Juan Gris, Amedeo Modigliani, and Pablo Picasso.. After joining the Futurist movement at the invitation of Filippo Tommaso Marinetti and Boccioni, Severini signed the Manifesto tecnico della pittura futurista of April 1910, along with Balla, Boccioni, Carlo Carrà, and Luigi Russolo.
Severini helped organize the first Futurist exhibition at Galerie Bernheim-Jeune, Paris, in February 1912, and participated in subsequent Futurist shows in Europe and the United States. In 1913, he had solo exhibitions at the Marlborough Gallery, London, and Der Sturm, Berlin. During the Futurist period, Severini acted as an important link between artists in France and Italy. He divided his time between Paris and Rome after 1920. He explored fresco and mosaic techniques and executed murals in various mediums in Switzerland, France, and Italy during the 1920s. In the 1950s, he returned to the subjects of his Futurist years: dancers, light, and movement. His colour lithographs were amongst the most important published by Nesto Jacometti, first with his Guilde Internationale de Gravure and later with L'Oeuvre Gravée, based in Zurich and Paris.
Throughout his career, Severini published important theoretical essays and books on art. Severini died February 26, 1966, in Paris.